Thursday Feb 14th, 2019 @ 7:00 PM

Laurie Lewis and The Right Hands – All Kinds of Love Songs

advance sale
Ticket Price: $23.50 Adv Sales / $28.50 day of show

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After too many years away from Godfrey Daniels’ stage, Grammy Award-winning musician Laurie Lewis returns with her band for a special Valentine’s Day concert.

 

Laurie Lewis is internationally renowned as a singer, songwriter, fiddler, bandleader, producer and educator. She was a founding member of the Good Ol’ Persons and the Grant Street String Band and has performed and recorded since 1986 with her musical partner, mandolinist Tom Rozum. Laurie has twice been voted “Female Vocalist of the Year” by the International Bluegrass Music Association and has won the respect and admiration of her peers.

 

Linda Ronstadt speaks for many when she says of Laurie: “Her voice is a rare combination of grit and grace, strength and delicacy. Her stories are always true.” A pioneering woman in bluegrass, Laurie has paved the way for many young women today, always guided by her own love of traditional music and the styles of her heroes who came before. At the same time, she has steadfastly followed her personal muse and remained open to new influences.

 

Despite “a botched run-in with the piano” at age seven, and several years of classical violin lessons starting at 12, Laurie’s musical passion was aroused not by a printed score, but by an earthier sound she found just down the street from her family’s home in Berkeley, California—at the annual Berkeley Folk Festival.

“At the Berkeley Folk Festival,” Laurie remembers, “you could hear all kinds of music, and it just really grabbed me. That was the first place I heard Doc Watson, the first place I heard Jean Ritchie, maybe the first bluegrass band I heard, the Greenbriar Boys. And then there was Jesse Fuller and Reverend Gary Davis and Mississippi John Hurt. It just totally busted my ears open and got me really excited about folk music.”

 

Inspired by the music she heard at the festival, Laurie started learning guitar and then bluegrass banjo. A friend took her to Paul’s Saloon in San Francisco, a bar that featured bluegrass music every night, and Laurie experienced a life-changing epiphany. “I saw fiddlers live,” she remembers, “and it knocked me out. I realized I could be a fiddler.

In 1980, deeply embedded in the Bay Area bluegrass community, Laurie opened a shop called Marin Violin and ran it full time for eight years before the pull to make a solo record became too strong to ignore. Plus, she had begun writing songs, inspired by songwriters ranging from Jean Ritchie and John Prine to Hoagy Carmichael and Chuck Berry. “I wrote my first song that actually held together and was singable in about 1975,” she says, “but I’d say that my songwriting probably started ‘kicking in,’ such as it is, in about the late 70s and early 80s.”

 

“If I just do this one recording,” she thought, “I’ll get my songs out the way I hear them in my head, and then I can go back to my violin shop. What happened instead was I just felt so much more alive and so much happier in the recording studio and working on my music than I did in my violin shop, that I finished my album, sold the shop, and never looked back.” It was an artistic reawakening, and from that point forward, Laurie would make her living solely from playing music.

Her solo debut, Restless Rambling Heart, co-produced with Tim O’Brien and released on Flying Fish Records in 1986, featured seven of Laurie’s original songs. Since that debut in 1986, Laurie has recorded nearly 20 albums in a number of musical formats for such labels as Flying Fish, Rounder, Hightone, Sugar Hill, Kaleidoscope and her own label, Spruce & Maple Music. Her latest album with her band the Right Hands – Tom Rozum, Chad Manning, Patrick Sauber and Andrew Conklin – The Hazel and Alice Sessions, was nominated for the “Best Bluegrass Recording” Grammy in 2017.

 

Laurie’s musical collaboration with Tom Rozum has now spanned more than three decades. “A huge part of my music,” Laurie says, “is knowing that I have a partner and a voice like that to sing the harmonies. A lot of songs I write I imagine what the harmonies are, and I’ll actually change melodies so it’s easy to incorporate Tom’s voice in what’s going on.”

Laurie is also a committed music educator, teaching at prestigious camps, festivals and workshops in the U.S. and Canada. “I’ve taught fiddle, songwriting, vocal styles and harmony singing for many years,” she says. “I’ve organized and run camps: Bluegrass Week at Augusta Heritage Center for 10 years, and Bluegrass at the Beach in Oregon for 14.” She has also taught at the Telluride Bluegrass Academy (CO), Puget Sound Guitar Workshop (WA), Swannanoa Gathering (NC), California Bluegrass Association Music Camp (CA), Walker Creek (CA) and RockyGrass Academy (CO), among others.

 

The International Bluegrass Music Association (IBMA) in Nashville has bestowed several awards upon Laurie, including Female Vocalist of the Year (twice); Song of the Year for her recording of “Who Will Watch the Home Place”; and shared awards for Album of the Year for True Life Blues: The Songs of Bill Monroe and Recorded Event of the Year for True Life Blues and Follow Me Back to the Fold: A Tribute to Women in Bluegrass.

 

Sam Bush referred to Laurie’s music as “Newgrass in the truest sense of the word.” Though her music transcends the formal limitations of style and genre, Laurie Lewis still sees herself as a bluegrass musician. “I’ve always thought that bluegrass was basically a singer-songwriter with string band,” she explains. “Think Bill Monroe, Carter Stanley, Lester Flatt, etc. I like to think that I fit that description and trajectory of the music rather well.”


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