Lilli Lewis – New Orleans Folk-Rock-PianistPaid
Ticket Price: $18.50 ADVANCE | $23.50 DAY OF SHOW
As the story goes, Lilli Lewis should never have been. Before she was born, Lewis’ mother was told her baby probably wouldn’t survive due to lung trouble, so the fact that Lewis now makes a living singing with those same lungs is a gift she never takes for granted. Lewis uses her voice to bring what she calls sacred songs into profane spaces, and though she’s abandoned trying to define her sound, she hopes her audiences leave shows knowing two things: that they are brilliant as they are, and that they have the ability to use that brilliance to make a better world.
Trained as an opera singer and classical pianist, Georgia native Lewis has been a composer, producer and performer for over two decades. After carving out space as an African American queer woman of size, Lewis’ career has culminated in her album Americana being a top pick everywhere from NPR’s All Songs Considered to Rolling Stone.
The FolkRockDiva is a musical polyglot who glides easily between folk, roots, country soul, gospel, and jazz, and has integrated New Orleans traditions by singing lead for Dirty Dozen Brass Band founding member Kirk Joseph’s Backyard Groove. Lewis’ Louisiana Red Hot Records releases include The Henderson Sessions, We Belong, and Americana.
Powerhouse singer-songwriter Lilli Lewis has announced her 2022 tour, including dates at New Orleans Jazz & Heritage Festival, Folk Alliance International Conference, and The Kennedy Center which has called her: “A powerhouse performer adding her unique voice and talent to the national discussion of the state of social justice in America.”
“Lilli Lewis made a statement not only about her ability to refine and expand roots forms like murder ballads, a cappella spirituals and singer-songwriter storytelling with transformative empathy and classically trained poise, but also about how she’s learned to bridge racially segregated cultural and musical worlds over her lifetime…she stake(s) out her place in the scene—on the authority of mastery…“ – Jewly Hight, NPR.ORG
“Among many highlights was New Orleanian singer-pianist Lewis’s almost hymn-like reading of Radiohead’s “Creep” for anyone who’s ever felt like they didn’t belong. But at least for the night, in that moment, everyone did.” – Rolling Stone: “AmericanaFest 2021: Best Things We Saw”
“In ‘Copper John,’ Lewis sounds right at home playing the mystic troubadour, patiently unfurling her tale about a “city of unseen prophets” in country-folk surroundings. Electric guitar adds some Western overtones, while atmospheric pedal steel and Lewis’ piano work all complement one another without overcrowding. The beat isn’t hasty, but it’s steady — we’re all along for the ride here.” – Jon Freeman ROLLINGSTONE