Ordinary Elephant – Award-winning Folk Duo Blending Storytelling, Close Harmonies, and Intricate String Work | with our guest, Sam Lewis

Making their debut on the Godfrey Daniels stage, Ordinary Elephant brings a decade of acclaimed touring, award-winning songwriting, and a sound built on honesty, collaboration, and connection. Crystal and Pete Damore have earned recognition from the International Folk Music Awards and praise from artists including Tom Paxton and Mary Gauthier for their character-driven songs and beautifully intertwined harmonies. Their latest self-titled release showcases the duo at their most distilled and confident, with intricate banjo, guitar, and octave mandolin supporting timeless storytelling.

Also making his Godfrey’s debut for an opening set, is our guest, Sam Lewis. Sam Lewis has collaborated with everyone from Leon Russell to The Wood Brothers. Chris Stapleton dubbed him “a modern Townes Van Zandt.” He’s often labeled with some form of the word “soulful” (some have even compared his voice to molasses). Lewis’ style meets at the juncture of many different genres; however, he’s discovered what most musicians spend lifetimes working for: the place where feel-good music meets vital social commentary.

In the intimate setting of Godfrey Daniels, where every lyric, harmony, and instrumental passage finds room to breathe, is the perfect place to hear these artists creating the kind of Live Music Listening Room experience that makes every ticket Your Backstage Pass.

Ordinary Elephant
ordinaryelephant.net

Nominated for 2024 IFMA Album of the Year by Folk Alliance International

“A real contender for album of the year.”
— Paul McGee, Lonesome Highway

“As can be heard in the album’s early singles, the writing and harmonies are rather stunning.”
— Saving Country Music

“…beautiful, soulful, exquisitely simple, and totally essential.”
— Ben Salmon, Bandcamp Daily

“…earthy economy of the songwriting, where songs are plucked and crafted with care. It results in something ornate, carefully curated, a neatly woven tapestry, time and experience in every stitch.”
— Tom Harding, Americana UK

Mesmerizing folk duo Ordinary Elephant has spent the better part of the last decade on a never-ending tour that’s earned married couple Crystal and Pete Damore widespread critical acclaim and made fans of luminaries like Tom Paxton and Mary Gauthier. In 2017, the pair took home the International Folk Music Award for Artist of the Year on the strength of their breakout album, Before I Go, and two years later, they returned with the similarly lauded Honest, which the Associated Press hailed as “one of the best Americana albums of the year.” The duo hasn’t slowed down, earning consecutive International Folk Music Award nominations for Album of the Year in 2024 for their self-titled release, and then Artist of the Year in 2025.

This latest eponymous record is the purest distillation of their sound yet, showcasing the arresting power of the couple’s gorgeous harmonies and intricate fretwork. The songs are timeless, rooted in rich, character-driven storytelling, and the performances are similarly transportive, fueled by delicately intertwined banjo, guitar, and octave mandolin. Though the songs were born out of a period of deep uncertainty, the record itself is a work of profound self-assurance, one delivered by a duo whose personal and professional lives embody the limitless possibility of honest, organic collaboration. Press play on Ordinary Elephant, or attend a live performance, and you’ll hear more than just a husband and wife; you’ll hear the sound of sincerity and commitment, of patience and gratitude, of learning to let go of expectation and revel in the simple beauty of the moment.

with our guest,
Sam Lewis
samlewistunes.com

“A modern Townes van Zandt” — Chris Stapleton 

“1 of 10 Artists You Need To Know” — Rolling Stone

“He sounds from another time or timeless”— MOJO Magazine

“a master of soulfulness and wonderful songwriting” — JamBase

Sam Lewis has collaborated with everyone from Leon Russell to The Wood Brothers. Chris Stapleton dubbed him “a modern Townes Van Zandt.” He’s often labeled with some form of the word “soulful” (some have even compared his voice to molasses). Lewis’ style meets at the juncture of many different genres; however, he’s discovered what most musicians spend lifetimes working for: the place where feel-good music meets vital social commentary.

After spending a nomadic youth throughout the Southeast (USA), he began calling Nashville home in 2009. Since then, he’s been joined on his journey by some of music’s most righteous and luminary figures. He pressed the first few chapters in his career’s studio anthology with the release of his self-titled debut (2012). His sophomore release, WAITING ON YOU (2015), features an impressive list of Nashville notables, all placing their stamp on this enduring expression of uncompromised songwriting.

Billboard announced the highly anticipated third studio release, LOVERSITY (2018), which landed Lewis a spot on Rolling Stone’s “10 New Artists to Watch” list. Writer Marissa Moss described the album as “…seventies psychedelic soul, with a storyteller’s eye, a swampy Southern groove and an emotional, political punch.”

SOLO (2020) is a solo acoustic album recorded at Southern Ground Studios in Nashville before a live audience that captures Lewis in his element.

HARLEY KIMBRO LEWIS (2022) is a trans-Atlantic collaboration with England’s own Martin Harley and East Tennessee all-star Daniel Kimbro, featuring a collection of original material recorded in Nashville.

The long-awaited studio album SUPERPOSITION (2024) irresistibly fuses Americana undertones with hazy, dream-like melodies and psychedelic instrumental flourishes. It comprises eight atmospherically captivating originals alongside a compellingly unique take on Dire Straits’ “Walk of Life.”

EVERYTHING’S FINE (2026) is Lewis’s seventh studio album, featuring a more sparse and intimate approach filled with songs that live under an umbrella titled Everything’s Fine, which Lewis says:

“is kind of a blanket statement I have become obsessed with for a while now… I love its duality and its usage whether it’s regarding the micro or macro of life… maybe everything’s fine, maybe it’s not, maybe it’s ‘fine’ in the macro sense but not at all in the micro sense or vice versa. I am definitely guilty of using it to define situations that are in fact NOT ‘fine’. We all have different thresholds of what may or may not be ‘fine,’ but our unwillingness to accept discourse can lead to a further sense of disconnection if not properly addressed. ‘Everything’s Fine’ is the most appropriate statement for the world I find myself living in at the moment.”

This impressive body of work has received critical acclaim, and each recording has strengthened the legendary musical family Lewis has adopted to help curate and share his artistic vision with listeners.

While each album has a distinct sound, they all circle back to one universal theme, and certainly something you’ll hear Lewis preach to his audience: “We are all trying to get somewhere—all running from something or toward something; we’re all in it together, though.”